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Djeʈa ʈewi gueleddjeloprewaho pawitestholêguelêwelembyo lembitambhoudjengo toungo malikamɖemeɖɖemeɖɖemeɖɖeme--trinado weɖɖemerweyemtchekaro tchenɖetanɖewontenôtou noh Çiwoh Çiwom De la forêt de mes cheveuxde l’eau descend mouille mon couoù s’insinue serpent rosaireet je fais taper le tambour‘demeddemeddemeddeme’puis je frappe de mes pieds d’hommele rythme par lequel tous sontrassasiés de Çiva Çiva Sous le talon de mes cothurneste voilà prisonnier, humainoù tu … Continue reading Mégâ Çiva Râtri
Jeʈa ʈewi gelejjeloprewaho pawitestholêgelêwelembyo lembitambhujengo tungo malikamɖemeɖɖemeɖɖemeɖɖeme--trinado weɖɖemerweyemchekaro chenɖetanɖewontenôtu noh Shiwoh Shiwom From out the forest of my hairsome water’s pouring on my neckwhere rosary snake pierces meand I make drummers hit the drums‘ɖemeɖɖemeɖɖemeɖɖeme’then by myself I kick the groundthe rhythm through everyone issatisfied by Shiva Shiva Under the heel of my buskinshere you lie … Continue reading Mega Shiva Ratri
From the History of Art and Archaeology Department of University of London, Sara Peterson proposes an analysis on shapes – in three dimensions – that bear witness of a Hellenic presence in ancient India, especially in Bactria and around the Kingdom of Gandhāra, in the beginning of the times when the Buddhic message was starting … Continue reading Dionysus at the heart of Mahayana’s cultural cradle – A reaction to: S. Peterson’s ‘An account of the Dionysiac presence in Indian art and culture’
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